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'A masterpiece' Guardian
'I really admire and love this book' Sally Rooney
'An intellectual and emotional rollercoaster' Daily Mail
'I can't remember the last time I laughed so much reading a book' David Sedaris
'A rare wonder . . . I was left in bits' Douglas Stuart
* WINNER OF THE DYLAN THOMAS PRIZE 2022 *
* SHORTLISTED FOR THE BOOKER PRIZE 2021 *
* SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021 *
* A BBC BETWEEN THE COVERS BOOK CLUB PICK *
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This is a story about a life lived in two halves.
It's about what happens when real life collides with the increasing absurdity of a world accessed through a screen.
It's about living in world that contains both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary.
It's a meditation on love, language and human connection from one of the most original voices of our time.
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'An utterly distinctive mixture of depth, dazzling linguistic richness, anarchic wit and raw emotional candour' Rowan Williams
A 2021 Book of the Year: Sunday Times, Guardian, Daily Mail, Telegraph, Evening Standard, The Times, New Statesman, Red, Observer, Independent, Daily Telegraph
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Creators
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Publisher
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Awards
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Release date
February 16, 2021 -
Formats
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OverDrive Read
- ISBN: 9781526629784
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EPUB ebook
- ISBN: 9781526629784
- File size: 787 KB
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Languages
- English
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Reviews
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Publisher's Weekly
Starred review from November 9, 2020
Lockwood’s debut novel comes packed with the humor, bawdiness, and lyrical insight that buoyed her memoir Priestdaddy. The unnamed narrator—made famous by a viral post that read, “Can a dog be twins”—travels the world to speak on panels, where she explains such things as why it’s better to use the spelling “sneazing” (it’s “objectively funnier”). While in Vienna for a conference, her mother urges her to come home to Ohio, where the narrator’s younger sister is having complications with her pregnancy and may need a late-term abortion. There, in the book’s shimmering second half, the internet jokes continue between the sisters as a means of coping with uncertainty, and resonate with the theme of life’s ephemerality vs. the internet’s infinitude. Throughout, a fragmented style captures and sometimes elevates a series of text messages and memes amid the meditations on family (“I’m convinced the world is getting too full lol, her brother texted her, the one who obliterated himself at the end of every day with a personal comet called Fireball”). This mighty novel screams with laughter just as it wallops with grief. Agent: Mollie Glick, Creative Arts Agency.
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